Marianne Kielian‐Gilbert
Arts and Humanities · Indiana University
Publications
32
Citations
144
Est. group size
—
Recurring co-author estimate
Active years
44
Publishing since 1982
Marianne Kielian-Gilbert works in music theory and musicology, analyzing how musical works are structured and how listeners experience them. Her research spans close analysis of composers such as Igor Stravinsky and Chen Yi, philosophical approaches to music, and connections between music and topics like disability and cross-cultural exchange.
Publication activity has been low and intermittent over the past decade, averaging under one publication per year in recent years.
Generated by claude-opus-4-8 from public bibliographic data · Jul 11, 2026
- Invoking Motives and Immediacy: Foils and Contexts for Pieter C. van den Toorn's Music, Politics, and the Academy
2025
- In Celebration—ERB at 90: On her writing as composing, improvising, and wondering—in and through music, soundtexts, graphic notations, images, collages, listening portraits, soundplays, impressions, essays, reviews, and notes-in-progress
Perspectives of New Music · 2023
- Experiencing Chen Yi’s Music: Local and Cosmopolitan Reciprocities in <i>Ning for Pipa, Violin and Cello</i> (2002)
Music Theory Online · 2020
- Dissonant Bells:
Indiana University Press eBooks · 2018
- In Dialogue with Chen Yi: Compositional Images, Techniques, and Influences
2017
- Music and the Difference in Becoming
2016
- Patterns of Repetition in the "Hymne" of Stravinsky's "Serenade en la": The Rhythmic Modeling of Musical Ideas
2016
- Disabled Moves
Oxford University Press eBooks · 2016
- Music Theory Online×1
- Oxford University Press eBooks×1
- Indiana University Press eBooks×1
- Perspectives of New Music×1
This profile was generated automatically from public scholarly data (OpenAlex). Group size and activity levels are estimates derived from co-authorship patterns.
Last updated Jul 11, 2026.
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